DPC announces fresh batch of Travel Photography from 21st Oct

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DPC organizes 3 month long Travel Photography course, exclusively designed for those who want to use photography as an alternative source of earning and excel in the domain of traveling.


Here is the solution to brush-up your skill- set and to reach bigger audience.This photography workshop is unique in many ways
Designed with thorough understanding of Travel Photography
Understanding the use of various light sources and optimizing their usage.
Combination of indoor and outdoor shoots for hands on experience
Small group to ensure individual attention to each participant
Understanding the various concepts of photo editing on lightroom
Mix of travel photography and marketing fundamentals
Certificate of participationWorkshop Outline

From early origins to today’s innovations and opportunities
Learning the Equipment
Aperture, shutter, exposure, focus
Composition, lighting, color, filters
Types of travel photography
Editing: Post processing and image enhancing software
How to plan and prepare for a photography assignment
Building and keeping an audience online by mastering social media
How to capitalize on new media
SEO, and adsense to monetize your blog and pay for your travels
Living the dream

Next Workshop is on

Timings: 10.00 am to 1.00 pm
Requirements: Any DSLR
Batch size : Max 5
Venue : Building No# 5 D, Second Floor, Shahpur Jat Village, New Delhi, India
Fee : 45000 rupees (inclusive of all taxes) and loads of enthusiasm!

Block your seat by paying Rs. 3000. Click here, to pay online (Keep your credit/debit card ready.)

To pay via cheque, write to us at hi@delhiphotographyclub.com

30 under 30, Be the India’s Coolest Young Photographers

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DPC launching a brand new program to nurture new talents in the domain of Photography.

30 under 30 is a unique initiative to create pool of young and talented photographer from all walks of life .

Unique opportunity to meet senior photographers , get your work critiques and of course the super 30 will take you to places .

Last date for sending your resume and works 31st December 2017.

Please read the instructions carefully.

1. Entry is open to all individual professional photographer and amateur photographer of upto 30 years of age from India including NRI.

2. Definitions

1. Entrant: Person intending to participate in the show. For the purpose of simplification, entrant and the words -photographer, participant, are used interchangeably

2. Works: Defined as image(s) or photos submitted for consideration in the competition.

3. Complete Resume along with the 20 images should be sent to the mentioned email ID.

4. If the individual is not an adult (above 18 years of age), the resume must be supported by the guardian and the guardian must furnish his/her details wherever required.

5. Works can be monochrome, black and white or color. More than 20 images will not be considered for selection.

6. The selectors will look for particularly interesting way of presenting the picture. The images must solely be the work of entrant and the entrant must the copyright to exhibit these. DPC reserves the right to accept or refuse work submitted. No individual assessment of images will be made available and the decision of selectors will be final

7. Work/images exhibited earlier in other exhibitions is encouraged / any awards won must be mentioned.

8. Awards. 30 under 30 Certificates and cash rewards. The DPC appreciation letters , Recommendation letters  & Printed Certificates and online certificate will be given to final participants.

9. Copyright: If the image is selected by DPC , the entrant agrees and authorizes DPC  to create copies, hang or use on walls/internet, books or publication or in any document created by DPC  . In such usage, DPC  will give due credit to the participant. Entrant also agrees, that DPC may use selected/exhibited work to promote photography and/or the photographer at its discretion for a period of 3 years. Any commercial value if derived from the sale of photograph during the next 6 months will be passed on to the participant/photographer by DPC after deducting an administrative charge and due share. The photographer retains the rights to sell his work independently as well. Image(s) uploaded/submitted by Entrant must not infringe copyright or intellectual property of any third party. Entrant indemnifies DPC  and Prayatnsheel E-venture Foundation from any suit or claim by any third party regarding the copyright or intellectual property of the accepted image(s). All work submitted must be the sole work of the entrant. The copyright of all entries remains with the entrant/photographer.

12. Entry fees: There is no fee of any kind to enter the competition.

13. Please do not mark your images with any kind of water mark (your name, copyright sign etc). Any image containing any watermark will not be considered for the competition

14. Personal Data: By  submitting the resume, you agree that DPC or its affiliate organization or any sponsor may use this data to reach out to you to promote photography.

15. Warranties and representations: With respect to the images/entries submitted, you (the entrant) warrant and represent that:

1. You are the sole owner and author the image(s)

2. You have the sole right to enter the image(s)

3. The image submitted by you do not breach or compromise national security, are defamatory, derogatory towards a particular gender, religion, nation or community.

Please send your entries to   30under30@delhiphotographyclub.com

Meet the real people from world of Photography Interview Yashpal Rathore

Meet the Real people from the world of Photography this week we are featuring Yashpal Rathore

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We are featuring people who are hobbyist or professionals photographers and we think they are worth sharing of Delhi Photography Club Fan page .

The selection is purely at the Discretion of Founders and owners of Delhi Photography Club.

Yashpal Rathore  : Naturalist & Photography Mentor :  Owner: JMD Images & Rathore Nature Photography

1. How you started your photography

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My interest in Nature & wildlife dates from Childhood. I was regular in conservation related activity for college days whether its wildlife census or other activities. I did Naturalist certification course conducted by Jungle lodges & Resorts Karnataka, also did Certified Volunteer course conducted by Karnataka Forest Department & Eco tourism board. Photography came late, but naturally into my life. Once I got into nature photography, it was easy for me to move into it, as my engineering background & being Naturalist help me.

2. What is the role of new technology and medium in photography?

The residents of “Khichan”, a small village in Indian state of Rajasthan, have a special affinity to these Demoiselle cranes (Grus Virgo) called “Khurja” in the local language. The arrival of the birds is considered auspicious and several ballads celebrate the importance of these birds in the culture of Rajasthan. Few Decade years ago, the villagers started putting grain out for the few dozen birds that stopped over during their migration from breeding grounds in Eurasia. Over these years number of winter visitors grown to about 20 thousands. I wanted to portray the birds from the perspective of the spread out Grain by an ultra low - ultra wide angle. I dug small hole in ground so that camera can be placed inside with fisheye lens front element at ground level also made postcard size diffuser over external flash. This was not an easy task. The birds, even though they were habituated to the Human scape, would not venture within 5-6 feet of the camera hidden away in a well camouflaged cardboard box and buried under the ground. Ultimately I left the box for a couple of months to allow the cranes to become habituated to this. During my last visit towards end of winter, the proximity of the birds to the camera was unbelievable. They came in droves exploring the lens and pecking at it. This brought its own unique challenge. If the first few frames were not suitable, the rest would be unusable as the lens would be covered with dust, feather & foot marks. During post processing I had removed dust marks. Camera Gear: Canon 7D ; lens canon 8-15mm f/4 fisheye at 10mm ; Exposure 1/160sec; f/16 ; ISO 800; External flash EC -1/3; Remote trigger with Camranger device Location: Khichan, western Rajasthan, India

The residents of “Khichan”, a small village in Indian state of Rajasthan, have a special affinity to these Demoiselle cranes (Grus Virgo) called “Khurja” in the local language. The arrival of the birds is considered auspicious and several ballads celebrate the importance of these birds in the culture of Rajasthan. Few Decade years ago, the villagers started putting grain out for the few dozen birds that stopped over during their migration from breeding grounds in Eurasia. Over these years number of winter visitors grown to about 20 thousands.
I wanted to portray the birds from the perspective of the spread out Grain by an ultra low – ultra wide angle. I dug small hole in ground so that camera can be placed inside with fisheye lens front element at ground level also made postcard size diffuser over external flash. This was not an easy task. The birds, even though they were habituated to the Human scape, would not venture within 5-6 feet of the camera hidden away in a well camouflaged cardboard box and buried under the ground.
Ultimately I left the box for a couple of months to allow the cranes to become habituated to this. During my last visit towards end of winter, the proximity of the birds to the camera was unbelievable. They came in droves exploring the lens and pecking at it. This brought its own unique challenge. If the first few frames were not suitable, the rest would be unusable as the lens would be covered with dust, feather & foot marks. During post processing I had removed dust marks.
Camera Gear: Canon 7D ; lens canon 8-15mm f/4 fisheye at 10mm ; Exposure 1/160sec; f/16 ; ISO 800; External flash EC -1/3; Remote trigger with Camranger device
Location: Khichan, western Rajasthan, India

Elephant

In recent times technology is changing very fast, also in the field of photography. Today everyone is a photographer, those who own smartphones or stand-alone camera. In photography advancement of technology has made many things possible which was not possible before. Today camera’s high ISO performance makes shooting possible at late evening time, earlier we used to pack up camera bags those times. In-camera Multiple exposure, HDR, etc. creates opportunities to make new images.

The residents of “Khichan”, a small village in Indian state of Rajasthan, have a special affinity to these Demoiselle cranes (Grus Virgo) called “Khurja” in the local language. The arrival of the birds is considered auspicious and several ballads celebrate the importance of these birds in the culture of Rajasthan. Few Decade years ago, the villagers started putting grain out for the few dozen birds that stopped over during their migration from breeding grounds in Eurasia. Over these years number of winter visitors grown to about 20 thousands. Central to the spectacle is the spreading of JOWAR (millets, a form of grain) in a protected enclosure called Chugga ghar (or the feeding house ). Every morning at first light, cranes in Rows of v shapes would come from every direction, sky will be filled with sea of cranes, the birds descending into the dunes or grounds around feeding house. Then one group entered the enclosure, others would follow. Meanwhile other cranes wait patiently for their turn outside enclosure. I had setup camera with wide angle lens on ground well camouflaged such that, these Marching crane army walks till camera before taking leap to clear 7ft high fence to enter into Chugga ghar. Camera Gear: Canon 7D; lens Tokina 11-16 mm f/2.8 II at 11mm ; Exposure 1/2000sec; f/11; ISO 640; 1 No’s external flash (580EXII, -1), Remote trigger with Camranger device Location: Khichan, western Rajasthan, India

The residents of “Khichan”, a small village in Indian state of Rajasthan, have a special affinity to these Demoiselle cranes (Grus Virgo) called “Khurja” in the local language. The arrival of the birds is considered auspicious and several ballads celebrate the importance of these birds in the culture of Rajasthan. Few Decade years ago, the villagers started putting grain out for the few dozen birds that stopped over during their migration from breeding grounds in Eurasia. Over these years number of winter visitors grown to about 20 thousands.
Central to the spectacle is the spreading of JOWAR (millets, a form of grain) in a protected enclosure called Chugga ghar (or the feeding house ). Every morning at first light, cranes in Rows of v shapes would come from every direction, sky will be filled with sea of cranes, the birds descending into the dunes or grounds around feeding house. Then one group entered the enclosure, others would follow. Meanwhile other cranes wait patiently for their turn outside enclosure. I had setup camera with wide angle lens on ground well camouflaged such that, these Marching crane army walks till camera before taking leap to clear 7ft high fence to enter into Chugga ghar.
Camera Gear: Canon 7D; lens Tokina 11-16 mm f/2.8 II at 11mm ; Exposure 1/2000sec; f/11; ISO 640; 1 No’s external flash (580EXII, -1), Remote trigger with Camranger device
Location: Khichan, western Rajasthan, India

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3. Anything specific that you want to share with people.

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I see many new photographers devote too much time in discussion over various brands of camera or technical aspects of it. Every new model with few additional Megapixel or extra fps draws more attention. But Advancement of technology can’t replace knowledge of your genre of photography. You can be successful wedding photographer only if you know detail customs of wedding you are planning to shoot. You can’t be better fashion photographer if you don’t know the latest trends in fashion. Similar we can be better nature photographers if we have deep knowledge about our subjects of interest, because it’s all about anticipating moment well in advance. So to be better nature photographer we need to be a naturalist first, otherwise instead of doing good to nature by your photography, you will end up harming nature because of our ignorance.

4. What gives you motivation to go out and click despite having busy schedules.

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My desire to capture nature in new or different perspectives or derives me to go out in wilderness again & again. I had developed remote controlled buggy & developed dslr camera trap systems to capture wildlife in innovative ways.  I try to manage balance between my work, my family and my passion, which is very important.

About Yashpal Rathore :

Yashpal Rathore, is an Electrical engineer by qualification, but a naturalist and an avid nature photographer by choice.

giraffe

To enrich his knowledge for wildlife behaviour, he undertook the “Certified Naturalist training” conducted by Jungle lodges & Resort, a Karnataka govt. enterprise in the year 2008. Being a Certified Naturalist, he conducts weekend bird walking & photography tours in India & Africa  and introduce new people to basic of photography & nature. The joy derived out of providing orientation on these subjects to young people encouraged him to educate himself more in this field. Subsequently he did the “Certified Volunteer course” jointly conducted by Karnataka forest Department & Karnataka Eco tourism Board in the year 2013. These certifications provided him the opportunity to take part in forest management and participate in activities like Wildlife census, Bird survey, forest fire fighting and other conservation activities.

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He has visited the far-flung corners of India & Africa to be amidst Nature. These visits have given him an intimate insight into the dynamics and diversity of nature. He wanted to capture Indian wildlife in new perspective by innovative means. As he grew as nature photographer his photographs began receiving recognition & awards, National & International forums. He sells his work through leading UK based nature stock agency www.naturepl.com.

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Equipment and Gear:

Camera Bodies:  1DX/ 5DM3/6D body

Lenses:  17-40mm f4/ 24-70mm F2.8 /100mm macro F2.8/ 24mm F1.4 & 500 mm F4

3 sets of canon 550D body & 10-22mm lens for camera trap with Nikon SB-28flash and PIR motion sensor

To know more about Yashpal Rathore & follow his work, visit: www.facebook.com/natureglimpse  or www.natureglimpse.com

Join our Delhi Photography Club  at  www.facebook.com/delhiphotographyclub

Send in your sample works at Virendra@delhiphotographyclub.com

DPC announces Photo Bus trip to Cattle fair Pushkar this October

Pushkar PhotoBus   27 to 29 Oct 2017

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About Pushkar Fair

The sprawling annual festivities of the 100 year old Pushkar Mela through its dramatic collage of diversified pictures, mirrors the vibrancy of the gracious state of Rajasthan. It is celebrated for five days from the Kartik ekadashi to Kartik Poornima, the full moon day of Kartik (October–November) in Hindu calendar. The full moon day is the main day and the day, according to legend, when the Hindu god Brahma sprung up the Pushkar Lake, thus numerous people swim in its sacred waters. This iconic fair attracts thousands of livestock and almost a million tourists including many from across the world.

Then & Now

The original intention behind the Pushkar Camel Fair was to attract local camel and cattle traders to do business during the holy Kartik Purnima festival. Today the Pushkar Mela creates a stir among travellers with its awe-inspiring celebrations at this grand event cherished with life oozing activities, cultural and musical events, thrilling camel safari tours and a stay in the traditional yet modern camps. Images of silver bells making heart pleasing jingles, animals walking over sparkling sand dunes and beautifully decked up camels with their owners sitting on their backs has become the most fascinating norm at this stunning cultural retreat. A huge carnival is held, with an array of musicians, magicians, dancers, acrobats, snake charmers and carousel rides to entertain the crowd. The grand occasion of the Pushkar Mela is definitely a priceless treat for those who wish to eye the vibrant culture and traditions of Rajasthan.

About DPC Photo Bus

DPC is all set for its next photobus trip to Pushkar to witness the world’s largest Camel Fair- ‘The Pushkar Mela’. 

A truly unforgettable experience to capture the vibrancy of the entire state of Rajasthan in one place!

Travel Details from Delhi to Pushkar

Date of Journey: 26th October, Thursday

Timings: 10.00 pm (pls be there 15 mins prior to departure)

27th October (Friday): Reach Pushkar by morning, check-in at a Hotel, grab breakfast and rush to the Mela

28th October (Saturday): Morning capture the Sunrise, visit the fair and also doing the local markets of Pushkar.

29th October (Sunday): Visiting the famous Brahma Temple known as the Jagatpita Brahma Mandir.

Late evening head back for Delhi and reach by Monday early morning.

 

Other Important Details:

Stay: will be on twin sharing basis.

Gear: You may carry tripods, zoom lens and wide-angle lens. Carry some warm clothing, comfortable shoes, shades and sunscreen. A digital camera, batteries and memory card all set! And needless to say – enthusiasm in abundance!

Mode of Travel: We will be travelling by ac tempo traveller

Meal:  Simple vegetarian meals will be provided by the club.
The group will follow the itinerary mentioned above, however if one wants to visit places at one owns will, can visit accordingly on their own.

Fee (per person): Rs.8500/- Non Members and Rs.8000/- for members (including registration fee of rs.3000).

Fee includes travel & group transfers, stay & meals.

Please carry the balance amount with you (only in cash) 🙂 You can also pay the remaining amount at our club in Shahpur Jat Village.

Please note: 

1. Registration fee is non-refundable.